Les Cent phrases pour éventails de Paul Claudel Le fragment comme vibration du sens
- Publication type: Article from a collective work
- Collective work: De l’écriture et des fragments. Fragmentation et sciences humaines
- Author: Blind (Audrey)
- Pages: 471 to 481
- Collection: Encounters, n° 153
- Series: Literary theory, n° 4
A unique object in the work of Paul Claudel, the Cent phrases pour éventails (1927–the first Japanese edition) effect a curious syncretism between Japanese and Western universes. Through a hundred phrases inspired by haikus, Claudel enters into a dialogue with calligraphy and theories of Oriental poetry. In this context, the fragment is renewed inspiration, it melts and reverts to that movement inherent in all artworks. How does this fragmentation re-motivate meaning?
- CLIL theme: 4053 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Théorie Littéraire
- ISBN: 978-2-8124-4807-2
- EAN: 9782812448072
- ISSN: 2261-1851
- DOI: 10.15122/isbn.978-2-8124-4807-2.p.0471
- Publisher: Classiques Garnier
- Online publication: 04-14-2016
- Language: French
