La disparition de la censure transforma-t-elle la critique théâtrale au temps de la Révolution française ?

From the Declaration of the Rights of Man and Citizens in August 1789, then officially in 1791, the censorship disappears in France, what authorizes as a rule a total freedom for the theatrical criticism. This article intends to expose the ­consequences of this disappearance, on the authors, on their works, but also on the work of the critics, between a de facto freedom slowed down by a self-censorship then an insidious return of the censorship from the summer 1792.