Jacques Grévin and The Temple of Ronsard (1563) Genetic and poetic investigation

Resuming the reading of the anonymous Temple de Ronsard, published in 1563, allows us to assess its attribution to Jacques Grévin. The libel stands out by its singularity among the reformed libels of the period 1562-1563. The serial aesthetic – which is his own – allows specific criteria and the formulation of elements of poetic art. The poem refuses theological controversy and chooses a posture of poetic conflict that confirms the attribution.