The author puts the visual experience in Baudelaire at the core of the relationship between image and reality. He focuses on the oneiric dimension of Baudelaire’s gaze, which, in its proceeding of exploration of the visible, acts within a fecund dialogue between memory and emotions: the ensuing narrations metamorphose some fragments of reality and constitute themselves on the basis of the analogy, shaping an immense reservoir that allows the creation of indefinite operations of meaning.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques