Bibliographie
- Type de publication : Chapitre d’ouvrage
- Ouvrage : Aurora Leigh
- Pages : 755 à 758
- Collection : Littératures du monde, n° 34
BIBLIOGRAPHIE
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Donaldson Sandra, et al., Eds, The Works of Elizabeth Barrett Browning, 5 vol., London, Chatto & Pickering, 2010.
Avery Simon & Stott Rebecca, Elizabeth Barrett Browning, Harlow, Pearson Education Limited, 2003.
Barnes Warner, A Bibliography of Elizabeth Barrett Browning, Austin, The University of Texas Press, 1967.
Forster Margaret, Elizabeth Barrett Browning. A Biography, London, Chatto & Windus, 1988.
Garrett Martin, A Browning Chronology. Elizabeth Barrett and Robert Browning, London, Macmillan Press, 2000.
Karlin Daniel, Robert Browning and Elizabeth Barrett. The Courtship Correspondence, 1845-1846, a Selection, Oxford, Oxford University Press, 1989.
Karlin Daniel, The Courtship of Robert Browning and Elizabeth Barrett, Oxford, Oxford University Press, 1985.
Kintner Elvan, ed., The Letters of Robert Browning and Elizabeth Barrett Barrett, 1845-1846, Cambridge [Massachusetts], Harvard University Press, 1969.
McAleer Edward C., The Brownings of Casa Guidi, New York, The Browning Institute, 1979.
McMahan Anna Benneson, ed., Florence in the Poetry of the Brownings, Chicago, A. C. McClurg & Co., 1907.
Martinez Michele C., Elizabeth Barrett Browning’s Aurora Leigh. A Reading Guide, Edinburgh, Edinburgh University Press, 2012.
Mermin Dorothy, Elizabeth Barrett Browning. The Origins of a New Poetry, Chicago, The University of Chicago Press, 1989.
Morgan Monique R., Narrative Means, Lyric ends : Temporality in the Nineteenth-Century British Long Poem, Columbus : The Ohio state university Press, 2009.
Avery Simon, « Telling it Slant : Promethean, Whig, and Dissenting Politics 756in Elizabeth Barrett’s Poetry of the 1830s », Victorian Poetry, 44 (4), 2006, p. 405-424.
Avery Simon, « Mapping Political History : Elizabeth Barrett Browning and Nineteenth-Century Historiography », Victorian Review, 33 (2), 2007, p. 17-33.
Billington Josie, Elizabeth Barrett Browning and Shakespeare. ‘This is Living Art’, London, Bloomsbury, 2012.
Blake Kathleen “Elizabeth Barrett Browning and Wordsworth : The Romantic Poet as a Woman”, Victorian Poetry, Vol. 24, No. 4, (Winter, 1986), p. 387-398.
Brown Sarah Annes, “Paradise Lost and Aurora Leigh”, Studies in English Literature, 1500-1900, Vol. 37, No. 4, (Autumn, 1997), p. 723-740.
Byrd Deborah, “Combating an Alien Tyranny : Elizabeth Barrett Browning’s Evolution as a Feminist Poet”, Browning Institute Studies, Vol. 15 (1987), p. 23-41.
Camus Marianne, « Entre air et terre : les éléments dans Aurora Leigh d’Elizabeth Barrett Browning », Cahiers victoriens et édouardiens [En ligne], 71 Printemps, 2010, mis en ligne le 07 octobre 2016.
Case Alison, “Gender and Narration in Aurora Leigh”, Victorian Poetry, Vol. 29, No. 1 (Spring, 1991), p. 17-32.
Chapman Alison, “Poetry, Network, Nation : Elizabeth Barrett Browning and Expatriate Women’s Poetry”, Victorian Studies, volume 55, Number 2, (Winter, 2013), p. 275-285.
Charlesworth Gelpi Barbara, “Aurora Leigh : The Vocation of the Woman Poet”, Victorian Poetry, Vol. 19, No. 1 (Spring, 1981), p. 35-48.
Coral Harris Leigh, “From ‘Mythos’ to ‘Logos’ : Political Aesthetics and Liminal Poetics in Elizabeth Barrett Browning’s ‘Casa Guidi Windows’”, Victorian Literature and Culture, Vol. 28, No. 1 (2000), p. 109-131.
Dillon Steve, « Barrett Browning’s Poetic Vocation : Crying, Singing, Breathing », Victorian Poetry, 39 (4), 2001, p. 509-532.
Epstein Kobayashi Emily V., “Feeling Intellect in Aurora Leigh and The Prelude”, Studies in English Literature 1500-1900, Volume 51, Number 4, (Autumn, 2011), p. 823-848.
Falk Alice, « Elizabeth Barrett Browning and Her Prometheuses : Self-Will and a Woman Poet », Tulsa Studies in Women’s Literature, 7 (1), 1988, p. 69-85.
Gatti Taylor Olivia, “Written in Blood : the Art of Mothering Epic in the Poetry of Elizabeth Barrett Browning”, Victorian Poetry, Vol. 44, No. 2, (Summer, 2006), p. 153-164.
Hoeckley Cheri Larsen, “Anomalous Ownership : Copyright, Coverture, and Aurora Leigh”, Victorian Poetry, Vol. 36, No. 2 (Summer, 1998), p. 135-161.
757Houston, Gail Turley, “Gender Construction and the Künstlerroman : David Copperfield and Aurora Leigh”, Philological Quarterly, 72 : 2 (1993 : Spring) p. 213-236.
Johnson Stephanie L., “Aurora Leigh’s Radical Youth : Derridean ‘Parergon’ and the Narrative Frame in ‘A Vision of Poets’”, Victorian Poetry, Vol. 44, No. 4, (Winter, 2006), p. 425-444.
Karlin Daniel, « Letters ‘Alive and Quivering’ : Scholarly Approaches to the Brownings’ Correspondence », Victorian Studies, 42 (3), 2000, p. 489-496.
Laporte Charles, “Aurora Leigh, a Life-Drama, and Victorian Poetic Autobiography”, Studies in English Literature 1500-1900, Volume 53, Number 4, (Autumn, 2013), p. 829-851.
Leighton Angela, « “Because men made the laws” : The Fallen Woman and the Woman Poet », Victorian Poetry, 27 (2), 1989, p. 109-127.
Mermin Dorothy, « The Female Poet and the Embarrassed Reader : Elizabeth Barrett Browning’s Sonnets From the Portuguese », E.L.H., 48 (2), 1981, p. 351-367.
Mermin Dorothy, « Barrett Browning’s Stories », Browning Institute Studies, 13, 1985, p. 99-112.
Mermin Dorothy, « Elizabeth Barrett Browning through 1844 : Becoming a Woman Poet », Studies in English Literature, 1500-1900, 26 (4), 1986, p. 713-736.
Mermin Dorothy, « The Damsel, the Knight, and the Victorian Woman Poet », Critical Inquiry, 13 (1), 1986, p. 64-80.
Mullen Mary, “Two Clocks : Aurora Leigh, Poetic Form, and the Politics of Timeliness”, Victorian Poetry, Vol. 51, No. 1, (Spring, 2013), p. 63-80.
Roberts Caroline, “Blinding Texts : The Medusoid Face of the Signifier in Aurora Leigh”, Victorian Literature and Culture, Vol. 23 (1995), p. 233-238.
Rosenblum Dolores, “Elizabeth Barrett Browning’s Aurora Leigh and Nineteenth-Century Poetry”, Victorian Studies, Vol. 26, No. 3 (Spring, 1983), p. 321-338.
Rosenblum Dolores, “Casa Guidi Windows and Aurora Leigh : The Genesis of Elizabeth Barrett Browning’s Visionary Aesthetic”, Tulsa Studies in Women’s Literature, Vol. 4, No. 1 (Spring, 1985), p. 61-68.
Rudoe Judy, “Elizabeth Barrett Browning and the Taste for Archaeological-Style Jewelry”, Philadelphia Museum of Art Bulletin, Vol. 83, No. 353 (Autumn, 1986), p. 22-32.
Stanford Friedman Susan, “Gender and Genre Anxiety : Elizabeth Barrett Browning and H. D. as Epic Poets”, Tulsa Studies in Women’s Literature, Vol. 5, No. 2 (Autumn, 1986), p. 203-228.
Stauffer Andrew M., “Elizabeth Barrett Browning Reads William Blake ?”, Victorian Poetry, Vol. 34, No. 1 (Spring, 1996), p. 114-117.
758Steinmetz Virginia V., “Images of ‘Mother-Want’ in Elizabeth Barrett Browning’s “Aurora Leigh”, Victorian Poetry, Vol. 21, No. 4 (Winter, 1983), p. 351-367.
Stone Marjorie, “Genre Subversion and Gender Inversion : The Princess and Aurora Leigh”, Victorian Poetry, Vol. 25, No. 2 (Summer, 1987), p. 101-127.
Stone Marjorie, « Elizabeth Barrett Browning », Victorian Poetry, 51 (3), 2013, p. 343-366.
Stone Marjorie and Taylor Beverly, « “Confirm My Voice” : “My sisters”, Poetic Audiences, and the Published Voices of EBB », Victorian Poetry, 44 (4), 2006, p. 391-404.
Stone Marjorie, « Constructing the Archive and the Nation in : “Italy ! world’s Italy !”, “My Last Duchess”, Aurora Leigh, and an Unpublished Manuscript by Elizabeth Barrett Browning », Victorian Review, 33 (2), 2007, p. 35-57.
Wallace Anne D., “‘Nor in Fading Silks Compose’ : Sewing, Walking, and Poetic Labor in Aurora Leigh”, E.L.H., Vol. 64, No. 1 (Spring, 1997), p. 223-256.
Zonana Joyce, “The Embodied Muse : Elizabeth Barrett Browning’s Aurora Leigh and Feminist Poetics”, Tulsa Studies in Women’s Literature, Vol. 8, No. 2 (Autumn, 1989), p. 240-262.
- Thème CLIL : 4033 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Langues étrangères
- ISBN : 978-2-406-09393-0
- EAN : 9782406093930
- ISSN : 2261-5911
- DOI : 10.15122/isbn.978-2-406-09393-0.p.0755
- Éditeur : Classiques Garnier
- Mise en ligne : 08/04/2020
- Langue : Français