Michel Lambert’s latest novel, L’Adaptation, is analyzed here with particular emphasis on the techniques employed by the author in order to create a new onto-fiction and to refine a study of suffering. He does this by means of a double embedded frame, ontic and stylistic, taking as a pretext a theme used before by the Serbian writer Alexandre Tišma.
CLIL theme: 4028 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes de littérature comparée