La scène de réminiscence comme instrument compositionnel La Double Maîtresse d’Henri de Régnier

Among the great novelists, the scene of affective memory is part of a chain giving access to the secret - or even unconscious - inner story of characters. This was understood by Proust as a reader of La Double Maîtresse, where sequences of affective memory structure the general composition in the form of peripeteia, compositional rhyming, and time switching.