This study considers the dramatization of writing and the conditions of the text's production in the work of Valère Novarina, a writer who frequently turns his writing into a game of orientation, and who turns his reader into the rhapsodist who must finally complete a body of work often dismissed as unfinished material.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques