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When we try to explain the representations of suffering in photography, we need in the first time to seize the ambivalence of the medium that projects the image in its dual nature, both objective piece of reality and personal view. In front of suffering situations captured by the lens, the "It-has-been" of the photographic moment seems to take place again.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques