This article focuses on two forms of editing that are specific to the digital age, and which differ from those at work in traditional narrative cinema. Interactive films and multi-screen video installations allow us to rethink the linearity of film editing in favor of approaches that highlight other dimensions of the editing process. More specifically, an analysis of interactive films or installation works allows us to see, on the one hand, that the public now plays a more active role in the editing of a film and, on the other hand, that the concern for narrative coherence that is still found in several of these projects hinders the exploration of the possibilities of editing in the digital age.
CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication
ISBN:978-2-406-14193-8
EAN:9782406141938
ISSN: 2491-2557
DOI: 10.48611/isbn.978-2-406-14193-8.p.0227
Publisher: Classiques Garnier
Online publication: 10-19-2022
Periodicity: Biannual
Language: French
Keyword: digital art, expanded cinema, interactive works, montage theory, film aesthetics.