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This analysis of the close-ups on faces and the role of the female protagonist in the most successful cinematographic rendering of the Proustian world unravels the ways in which Akerman’s film first seems to distance itself from Proust’s text but turns out to remain faithful to its spirit.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques