TY  - EJOUR
A1  - Bara, Olivier
TI  - How does one become a vaudevillian?
T2  - Revue d’Histoire littéraire de la France 3 – 2020, 120e année, n° 3. Formations d'écrivains au xixe siècle. Écoles, sociabilités, autodidaxies
JO  - Revue d’Histoire littéraire de la France (ISSN 2105-2689), 15, 3 – 2020
DO  - 10.15122/isbn.978-2-406-10744-6.p.0013
SN  - 2105-2689
SP  - 13
EP  - 24
AB  - The low literary requirements of vaudeville would seem to make it accessible to any dramatist who might turn their hand to it. Only a minimal rhetorical apparatus seems necessary to organize an action, arrange verses, and scatter a work with a few witty remarks. Does vaudeville, then, attract a particular type of artist who could compensate for cultural shortcomings with something else, something that could be learned outside the classroom? Despite the diversity of the numerous vaudevillians in the nineteenth century, it is possible to establish a few model pathways.
PY  - 2020
DA  - 2020/08/26
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Boulevard, playwright, teaching, training, profession, sociability, theater, vaudeville, vaudevillian, city
LA  - fre
UR  - https://classiques-garnier.com/revue-d-histoire-litteraire-de-la-france-3-2020-120e-annee-n-3-formations-d-ecrivains-au-xixe-siecle-ecoles-sociabilites-autodidaxies-how-does-one-become-a-vaudevillian.html
Y2  - 2024/05/18
ER  -