TY  - EJOUR
TI  - « Les salades semblaient peintes »
T2  - Revue d’Histoire littéraire de la France 2 – 2018, 118e année, n° 2. varia
DO  - 10.15122/isbn.978-2-406-08105-0.p.0075
SN  - 2105-2689
AB  - The dinner table at Vaubyessard is analyzed as the literary transposition of a still life (constitutive elements, compositional order). But the lability of the narrative control and the semantic tremor of the writing generate an axiological uncertainty and an anthropological chiaroscuro. The parallel with other set tables inscribes this motif in the imaginary and stylistic economy of the narrative, which tragically combines desire, death, and still life.
PY  - 2018
DA  - 2018/05/16
DP  - Classiques Garnier
PB  - Classiques Garnier
KW  - Flaubert, Madame Bovary, avant-textes, ethnocriticism, still life, set tables, symbolic enwilding, silent initiation, desire, memento mori
UR  - https://classiques-garnier.com/revue-d-histoire-litteraire-de-la-france-2-2018-118e-annee-n-2-varia-les-salades-semblaient-peintes-en.html
Y2  - 2024/07/11
ER  -