TY  - EJOUR
A1  - Claes, Paul
TI  - “Entends comme brame” or an Aesthetics of the Vague
T2  - Parade sauvage - Revue ­d’études rimbaldiennes 2020, n° 31. varia
JO  - Parade sauvage (ISSN 2262-2268), 31, 2020
DO  - 10.15122/isbn.978-2-406-11265-5.p.0215
SN  - 2262-2268
SP  - 215
EP  - 223
AB  - This article proposes a new reading of the obscure poem “Entends comme brame”. The complexity of the text may be explained by what we call here an ‘aesthetics of the vague’ which consists in the stylistic transposition of the evocation of a nebulous atmosphere. Our analysis clarifies the lexical and grammatical ambiguities, decodes the hermetic tropes and identifies the intertextual references. Caricaturing the clichés of romantic description, Rimbaud’s poem renews the genre by a radical disorganization.
PY  - 2021
DA  - 2021/01/06
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - description of nebulous moonlight, aesthetics of the vague, hermetic encoding, criticism of romanticism, pastiche of Verlaine
LA  - fre
UR  - https://classiques-garnier.com/parade-sauvage-2020-revue-d-etudes-rimbaldiennes-n-31-varia-entends-comme-brame-or-an-aesthetics-of-the-vague.html
Y2  - 2024/06/01
ER  -