TY  - EJOUR
A1  - Lejosne-Guigon, Renaud
TI  - Chahuts in Rimbaud, Seurat, and Marinetti - Or, a Music-Hall of Cruelty
T2  - Parade sauvage - Revue ­d’études rimbaldiennes 2020, n° 31. varia
JO  - Parade sauvage (ISSN 2262-2268), 31, 2020
DO  - 10.15122/isbn.978-2-406-11265-5.p.0243
SN  - 2262-2268
SP  - 243
EP  - 308
AB  - Two poems by Rimbaud, “Mes petites amoureuses” and “Parade,” are here deciphered through the lens of the history of music-halls and those cabaret dances that caused scandal all through the nineteenth century. This was because of their alleged obscenity as well as their link to hysteria as a centrifugal force dismantling bodies. The two Rimbaud pieces are read against two nonverbal art objects: Seurat’s painting Chahut and the futurist theory and practice of performance art.
PY  - 2021
DA  - 2021/01/06
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Georges Seurat, Filippo Tommaso Marinetti, cancan, social choreography, music-hall, modernity, neurology, puppets, hysteria, catalepsy, energetics, performance art, anarchism, avant-garde, neo-impressionism, futurism
LA  - fre
UR  - https://classiques-garnier.com/parade-sauvage-2020-revue-d-etudes-rimbaldiennes-n-31-varia-chahuts-in-rimbaud-seurat-and-marinetti.html
Y2  - 2024/05/20
ER  -