TY  - EJOUR
A1  - Klein, Jean-René
A1  - Inoue, Yuriko
TI  - Valère Novarina, un démiurge du langage
T2  - Neologica 2011, n° 5. Revue internationale de néologie
JO  - Neologica (ISSN 2262-0354), 5, 2011
DO  - 10.15122/isbn.978-2-8124-4231-5.p.0105
SN  - 2262-0354
SP  - 105
EP  - 122
AB  - For those who are already familiar with the creative resources which Valère Novarina is capable of, the following paper can only give the merest glimpse of his “neological passion”. It is a far cry from terminological neology, which is purely referential, or from all forms of instrumentalized language, since the playwright goes to the very limits of the irrational and the incongruous to reach an original language, if not an “Ur” language. The inheritance of Rabelais is quite clear, as Novarina himself indicates in his writing. 
This paper is divided into two parts. It seemed logical to start by analysing the language that Novarina uses to describe his aesthetic convictions, since the writer attaches great importance to his idea of language, in particular the language of the theatre (Lettre aux acteurs, Le drame dans la langue française, Devant la parole). In the second part, we present a typology which accounts for the whole range of his lexical creativity, which goes from the most conventional forms (derivation, compounding, etc.) to other forms of creativity –patronymic, flexional or those which we shall conservatively call ex nihilo.
PY  - 2011
DA  - 2011/12/07
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
LA  - fre
UR  - https://classiques-garnier.com/neologica-2011-n-5-revue-internationale-de-neologie-valere-novarina-un-demiurge-du-langage-en.html
Y2  - 2024/07/11
ER  -