TY  - EJOUR
A1  - Le Fustec, Claude
TI  - From Derrida to Chardin - For an Archaeology of the Creative Process in Point Omega (DeLillo)
T2  - La Revue des lettres modernes 2024 – 2. Processus créateur et voies négatives
JO  - La Revue des lettres modernes (ISSN 0035-2136), 2024 – 2
DO  - 10.48611/isbn.978-2-406-16597-2.p.0137
SN  - 0035-2136
SP  - 137
EP  - 147
AB  - According to John D. Caputo, the source of Derrida’s interest in negative theology is “the cut [...] that opens it to others, the wound that will not let it close over” (The Prayers and Tears of Jacques Derrida, Indiana UP, 1997, p. 42). This essay explores this reading of negative theology according to deconstruction by looking at its manifestation in postmodern writer DeLillo’s Point Omega, a novel that evidences such cut in language and reality, opening up onto the “wholly other”.
PY  - 2024
DA  - 2024/03/27
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - postmodernism, negative theology, spiritual, contemporaneity, aesthetics, ethos, cut, wholly other, messianic
LA  - fre
UR  - https://classiques-garnier.com/la-revue-des-lettres-modernes-2024-2-processus-createur-et-voies-negatives-from-derrida-to-chardin.html
Y2  - 2024/07/11
ER  -