TY  - EJOUR
A1  - Bofill-Amargós, Joan
A1  - Salceda, Hermes
TI  - Roussel-Dalí - Seeing better and differently
T2  - La Revue des lettres modernes 2022 – 7. Merveilleux, sciences (et) fictions
JO  - La Revue des lettres modernes (ISSN 0035-2136), 2022 – 7
DO  - 10.48611/isbn.978-2-406-11582-3.p.0237
SN  - 0035-2136
SP  - 237
EP  - 252
AB  - With Le Jour de gloire, the filmmaker Joan Bofill reconstructed the story of Salvador Dalí’s last film Impressions de la Haute Mongolie: Hommage à Raymond Roussel. Dalí dedicated La Haute Mongolie to Roussel, an author he carried with him his entire life, always a muse he tried to draw inspiration from. What did the paranoid Dalí see in the depressed formalist Roussel? What link is there between Dalí’s exuberant and delirious machine and the logic of Roussel’s Procedure?
PY  - 2022
DA  - 2022/07/06
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Raymond Roussel, Dalí, Mongolia, paranoiac-critical method, La Vue, procedural writing, glory
LA  - fre
UR  - https://classiques-garnier.com/la-revue-des-lettres-modernes-2022-7-merveilleux-sciences-et-fictions-roussel-dali-en.html
Y2  - 2024/07/17
ER  -