TY  - EJOUR
A1  - Gervais, André
TI  - What do an artist and a monk have in common? Dada - On Marcel Duchamp and François Rabelais
T2  - L’Année rabelaisienne 2020, n° 4. varia
JO  - L’Année rabelaisienne (ISSN 2554-9111), 4, 2020
DO  - 10.15122/isbn.978-2-406-10343-1.p.0349
SN  - 2554-9111
SP  - 349
EP  - 362
AB  - The starting point of this discussion is a comparison (“The life of an artist is like the life of a monk, of an obscene monk, if you like, it’s very Rabelaisian”), which leads from the comment “It’s an ordination” to “Dada is a spirit.” It was in 1959 that this point of transmission, by allusion to Rabelais’s work, and even to Rabelais as an individual, became explicit in the work of Duchamp, who at the time was involved in the Dada movement in the United States and in France. This article pursues the connections made by this discussion.
PY  - 2020
DA  - 2020/06/17
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Max Ernst, Hans Richter, Pierre de Massot, Gustave Eiffel, correspondence
LA  - fre
UR  - https://classiques-garnier.com/l-annee-rabelaisienne-2020-n-4-varia-what-do-an-artist-and-a-monk-have-in-common-dada.html
Y2  - 2024/07/16
ER  -