TY  - EJOUR
A1  - Clarke, Jan
TI  - Les relations entre les acteurs italiens et les acteurs français,1658-1689
T2  - European Drama and Performance Studies 2022 – 1, n° 18. Molière and After. Aspects of the Theatrical Enterprise in 17th- and 18th-Century France
JO  - European Drama and Performance Studies (ISSN 2045-8541), 18, 2022 – 1
DO  - 10.48611/isbn.978-2-406-12918-9.p.0025
SN  - 2045-8541
SP  - 25
EP  - 71
AB  - The commedia dell’arte troupe that operated in Paris in the second half of the 17th century shared theatres with Molière’s troupe and the Guénégaud company before transferring to the Hôtel de Bourgogne on the creation of the Comédie-Française. Previously harmonious relations deteriorated rapidly when the Italians began to perform in French. This article examines the issues at play in the context of a theatrical environment where troupes were forced to compete in order to survive.
PY  - 2022
DA  - 2022/03/16
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Commedia dell’arte, Molière, Hôtel Guénégaud, Comédie-Française, Comédie-Italienne, spectacle, stage machinery, parody, language, competition
LA  - eng
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2022-1-n-18-moliere-and-after-aspects-of-the-theatrical-enterprise-in-17th-and-18th-century-france-les-relations-entre-les-acteurs-italiens-et-les-acteurs-francais1658-1689.html
Y2  - 2024/07/05
ER  -