TY  - EJOUR
A1  - Le Goff, Julien
TI  - The “Compliment” to the Audience - Aesthetic Issues and Enunciative Strategies of a Dramatic Practice on the Fairground and Italian Stages (1730-1750)
T2  - European Drama and Performance Studies 2022 – 1, n° 18. Molière and After. Aspects of the Theatrical Enterprise in 17th- and 18th-Century France
JO  - European Drama and Performance Studies (ISSN 2045-8541), 18, 2022 – 1
DO  - 10.48611/isbn.978-2-406-12918-9.p.0367
SN  - 2045-8541
SP  - 367
EP  - 402
AB  - In the 18th century, the compliment was a dramatic practice fashionable on the Parisian stage. The orator responsible for this codified rhetorical exercise solicited the indulgence of the audience and, through praise, encouraged its members to attend that season’s performances. From the 1730s onwards, fairground and Italian playwrights competed creatively to renew the compliment in order to highlight their repertoire and distinguish themselves from the competition.
PY  - 2022
DA  - 2022/03/16
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Theatre, 18th century, orator, marketing, stage, speech, spectator, rhetoric, publicity, Enlightenment, history
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2022-1-n-18-moliere-and-after-aspects-of-the-theatrical-enterprise-in-17th-and-18th-century-france-the-compliment-to-the-audience.html
Y2  - 2024/05/18
ER  -