TY  - EJOUR
A1  - Nancy, Sarah
TI  - ‘Opera is Emotion in Pure Form’ - An Attempt to Explore a Cliché and its Gender Issues
T2  - European Drama and Performance Studies 2021 – 2, n° 17. Les émotions en scène (xviie-xxie siècle)
JO  - European Drama and Performance Studies (ISSN 2045-8541), 17, 2021 – 2
DO  - 10.48611/isbn.978-2-406-12207-4.p.0225
SN  - 2045-8541
SP  - 225
EP  - 242
AB  - The article explores the cliché that the opera stage is a place of unconventional and violent emotions, of which female performers are the best ambassadors. Three scenarios are explored, concerning the poetics of opera, the engagement of the performer, and the pleasure of the audience, which allow us to identify what feeds this cliché. One can thus grasp the effects, in terms of gender regime, less with regard to emotions on stage as to their perception.
PY  - 2021
DA  - 2021/09/22
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Voice, gender, theatre and music, performer, jouissance, female singer, feminine, aesthetics, poetics, emotional community
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2021-2-n-17-les-emotions-en-scene-xviie-xxie-siecle-opera-is-emotion-in-pure-form.html
Y2  - 2024/05/18
ER  -