TY  - EJOUR
A1  - Gros de Gasquet, Julia
TI  - From Passions to Feelings on the French Stage - What Role Did the Fourth Wall Play? (17th-18th Centuries)
T2  - European Drama and Performance Studies 2021 – 2, n° 17. Les émotions en scène (xviie-xxie siècle)
JO  - European Drama and Performance Studies (ISSN 2045-8541), 17, 2021 – 2
DO  - 10.48611/isbn.978-2-406-12207-4.p.0071
SN  - 2045-8541
SP  - 71
EP  - 95
AB  - Starting from known phenomena about the 17th-century stage, the article shows that the notion of the Fourth Wall prescribed by Diderot brings about the switch from the regime of passions to that of feelings in the 18th century: by turning the scene into a painting, it reinforces the dramatic fiction and its interpretation, to the detriment of a type of acting that relied more on the performance of the actor to express passions in the 17th century
PY  - 2021
DA  - 2021/09/22
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Dramatic fiction, performance, reception, Fourth Wall, correspondences, interpretation, Diderot, scene, acting, expression
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2021-2-n-17-les-emotions-en-scene-xviie-xxie-siecle-from-passions-to-feelings-on-the-french-stage.html
Y2  - 2024/05/17
ER  -