TY  - EJOUR
A1  - le Blanc, Judith
TI  - Emotions Born from Memory and the Singing Voice at the Opéra-Comique
T2  - European Drama and Performance Studies 2021 – 2, n° 17. Les émotions en scène (xviie-xxie siècle)
JO  - European Drama and Performance Studies (ISSN 2045-8541), 17, 2021 – 2
DO  - 10.48611/isbn.978-2-406-12207-4.p.0315
SN  - 2045-8541
SP  - 315
EP  - 337
AB  - The article explores some memory uses of the airs sung in the repertoire of the Opéra-Comique. The emotional force of musical discourse can be greatly increased by its integration into a dramaturgy of effect and by the enhancement of the singing voice. The essay sheds light on the role of song or romance in scenes of recognition, reminiscence or anamnesis and explores the reception and memorization of these tunes by the audience, along with the parody and the fate of these arias in other contexts.
PY  - 2021
DA  - 2021/09/22
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Memory, Recognition, Reminiscence, Grétry, Sedaine, Rousseau, Dalayrac, Parody, Romance, Ariette
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2021-2-n-17-les-emotions-en-scene-xviie-xxie-siecle-emotions-born-from-memory-and-the-singing-voice-at-the-opera-comique.html
Y2  - 2024/06/25
ER  -