TY  - EJOUR
A1  - Guyot, Sylvaine
TI  - Emotion Machines? - Technologies of the Gaze and Scenographies of Dazzlement (17th Century)
T2  - European Drama and Performance Studies 2021 – 2, n° 17. Les émotions en scène (xviie-xxie siècle)
JO  - European Drama and Performance Studies (ISSN 2045-8541), 17, 2021 – 2
DO  - 10.48611/isbn.978-2-406-12207-4.p.0267
SN  - 2045-8541
SP  - 267
EP  - 289
AB  - In the 1660-70s, the capacity to dazzle audiences became a valued criterion of public spectacles. The machine tragedies invite us to consider the kinds of dazzled emotions and consensus generated by visual shocks. By pushing theatrical dazzlement to the point either of destruction or meaninglessness, certain scenes with machine effects dramatize the ethical and aesthetic limits of the political-theological model of brilliance, and force a contrast with the gallant model of sublime delicateness.
PY  - 2021
DA  - 2021/09/22
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - machine tragedy, spectacular, political, brilliance, sublime, pleasure, gallantry, Corneille, Boyer, Donneau de Visé
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2021-2-n-17-les-emotions-en-scene-xviie-xxie-siecle-emotion-machines.html
Y2  - 2024/05/17
ER  -