TY  - EJOUR
A1  - Gomez, Françoise
TI  - Introduction
T2  - European Drama and Performance Studies 2021 – 1, n° 16. Percevoir et transmettre le spectacle vivant
JO  - European Drama and Performance Studies (ISSN 2045-8541), 16, 2021 – 1
DO  - 10.15122/isbn.978-2-406-11535-9.p.0013
SN  - 2045-8541
SP  - 13
EP  - 35
AB  - How are living performances grasped by those who witness them and pass them on “before they settle between the pages [...] of the encyclopedias of theater”? By what means, with what instruments, according to what attitudes and strategies? This introduction sets out the itinerary of the “polyphonic investigation” collected in this volume, while proposing a preliminary typology of its “empirical anthology” as well as some conceptual reference points (drawn from Husserl, Merleau-Ponty or Bergson).
PY  - 2021
DA  - 2021/04/14
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - live show, performance, memory, transmission, perception, phenomenology, matter, senses, show experience, testimony
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2021-1-n-16-percevoir-et-transmettre-le-spectacle-vivant-introduction-en.html
Y2  - 2024/05/13
ER  -