TY  - EJOUR
A1  - Gadrat, Sabine
TI  - Audiodescription in the performing arts - A tool to make the performance one’s own?
T2  - European Drama and Performance Studies 2021 – 1, n° 16. Percevoir et transmettre le spectacle vivant
JO  - European Drama and Performance Studies (ISSN 2045-8541), 16, 2021 – 1
DO  - 10.15122/isbn.978-2-406-11535-9.p.0127
SN  - 2045-8541
SP  - 127
EP  - 149
AB  - Invented to make films accessible to the visually impaired public, audiodescription (AD) came to France in 1989, and then developed in the performing arts. Sabine Gadrat asked users to describe their role in perceiving, understanding, or choosing a show, and the authors of AD to describe the technical and ethical issues that characterize a "good" AD, one that allows the viewer to produce his or her images throughout the story.
PY  - 2021
DA  - 2021/04/14
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - theater, performance, show, audiodescription, visual impairment, touch, performance preparation, survey, sociability, collaborative perception
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2021-1-n-16-percevoir-et-transmettre-le-spectacle-vivant-audiodescription-in-the-performing-arts.html
Y2  - 2024/07/17
ER  -