TY  - EJOUR
A1  - Porot, Bertrand
TI  - Popular songs in the plays of Parisian Theatres in the 17th Century - Présence de la musique populaire dans les spectacles parisiens au XVIIe siècle
T2  - European Drama and Performance Studies 2020 – 2, n° 15. Théâtre et musique, transferts culturels et identités nationales
JO  - European Drama and Performance Studies (ISSN 2045-8541), 15, 2020 – 2
DO  - 10.15122/isbn.978-2-406-10777-4.p.0025
SN  - 2045-8541
SP  - 25
EP  - 45
AB  - By comparing the repertoire of 17th-century airs, both from songbooks and those composed for the stage, we found evidence of wide circulation of melodies. These airs thus constitute a kind of musical topos. They are based upon a mutual influence in the collective process of creating melodies. This dual focus shows the porousness of artistic boundaries under the Ancien Régime. A wide collective repertoire emerges that is based on both musical practices and compositional processes.
PY  - 2020
DA  - 2020/10/07
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Theatre, France, 17th and 18th centuries, comedy, comédie-ballet, tragédie en musique, opéra-comique, popular songs, vaudeville, parodie
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2020-2-n-15-theatre-et-musique-transferts-culturels-et-identites-nationales-popular-songs-in-the-plays-of-parisian-theatres-in-the-17th-century.html
Y2  - 2024/05/22
ER  -