TY  - EJOUR
A1  - Franchin, Matthieu
TI  - Which Incidental Music for the Theatre of the 17th Century? - The Challenges of Musical Directing at the Théâtre Molière Sorbonne
T2  - European Drama and Performance Studies 2020 – 1, n° 14. The Stage and its Creative Processes (16th-21st century), volume 2 
JO  - European Drama and Performance Studies (ISSN 2045-8541), 14, 2020 – 1
DO  - 10.15122/isbn.978-2-406-10380-6.p.0355
SN  - 2045-8541
SP  - 355
EP  - 374
AB  - In the 17th century, all theatrical performances were based on music, including declaimed plays, accompanied by music between acts. This article presents the three areas that occupied the musical experimental work of the Théâtre Molière Sorbonne: the restitution of musical ‘intermèdes’ or interludes, the restitution of a violin band, and the application of what is known about violin playing technique in France during Lully’s time.
PY  - 2020
DA  - 2020/03/11
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Interludes, intermèdes, violin, bow, orchestra, instrumental technique, dance, Lully, Charpentier, historically informed practice
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2020-1-n-14-the-stage-and-its-creative-processes-16th-21st-century-volume-2-which-incidental-music-for-the-theatre-of-the-17th-century.html
Y2  - 2024/07/17
ER  -