TY  - EJOUR
A1  - Dumontet, Mathilde
TI  - Economic Competition and Artistic Interpenetration in Roger Blin’s La Parodie and En Attendant Godot
T2  - European Drama and Performance Studies 2020 – 1, n° 14. The Stage and its Creative Processes (16th-21st century), volume 2 
JO  - European Drama and Performance Studies (ISSN 2045-8541), 14, 2020 – 1
DO  - 10.15122/isbn.978-2-406-10380-6.p.0129
SN  - 2045-8541
SP  - 129
EP  - 144
AB  - This article compares Roger Blin’s concomitant creations of Arthur Adamov’s La Parodie and Samuel Beckett’s En Attendant Godot. Between 1947 and 1953, Roger Blin discovered the new writings of these authors, learned about directing and struggled to find ways of producing. The study of the apparent economic and mental competition between these two plays reveals a slow creative process that is enriched by the interpenetration of the projects.
PY  - 2020
DA  - 2020/03/11
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - 20th century, Adamov, Beckett, creative process, theatre, play, staging
LA  - fre
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2020-1-n-14-the-stage-and-its-creative-processes-16th-21st-century-volume-2-economic-competition-and-artistic-interpenetration-in-roger-blin-s-la-parodie-and-en-attendant-godot.html
Y2  - 2024/07/17
ER  -