TY  - EJOUR
A1  - Glon, Marie
A1  - Olivesi, Vannina
A1  - Vallejos, Juan Ignacio
TI  - Writing (for) the Ballet in the Eighteenth Century
T2  - European Drama and Performance Studies 2017 – 2, n° 9. Écrire pour la scène (xve-xviiie siècle)
JO  - European Drama and Performance Studies (ISSN 2045-8541), 9, 2017 – 2
DO  - 10.15122/isbn.978-2-406-07118-1.p.0263
SN  - 2045-8541
SP  - 263
EP  - 279
AB  - This article examines the links between ballet, writing and power in the eighteenth century. It first focuses on the “dances in characters,” and then on the ballet programs of the “ballet pantomime” in the second half of the century, through which ballet masters became writers. Finally, it studies the way these projects began to take shape in the conventions and rules of such an institution as the Paris Opera, which granted a specific status and payment to the ballet masters as writers.
PY  - 2017
DA  - 2017/09/20
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
LA  - eng
UR  - https://classiques-garnier.com/european-drama-and-performance-studies-2017-2-n-9-ecrire-pour-la-scene-xve-xviiie-siecle-writing-for-the-ballet-in-the-eighteenth-century-en.html
Y2  - 2024/05/27
ER  -