TY  - EJOUR
A1  - Illouz, Jean-Nicolas
TI  - A photographic device - Edgar Degas, Auguste Renoir et Stéphane Mallarmé (1895)
T2  - Études Stéphane Mallarmé 2020, n° 8. varia
JO  - Études Stéphane Mallarmé (ISSN 2427-8165), 8, 2020
DO  - 10.48611/isbn.978-2-406-14956-9.p.0129
SN  - 2427-8165
SP  - 129
EP  - 157
AB  - On December 16, 1895, Edgar Degas photographed Renoir and Mallarmé at the home of Julie Manet. Through this double portrait, he compared two contemporary movements: Impressionism and Symbolism. Using an internal mise en abyme, he portrayed photography as a non-realist art form, a matter of “fiction”—understood as a principle of néantisation (reduction to nothing) of the real. Finally, he showed how painters were resistant to it, positively contrasting their use of color with the “photographic negative”.
PY  - 2023
DA  - 2023/05/31
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Edgar Degas, Auguste Renoir, Stéphane Mallarmé, Paul Valéry, Impressionism, Symbolism, photography, mise en abyme
LA  - fre
UR  - https://classiques-garnier.com/etudes-stephane-mallarme-2020-n-8-varia-a-photographic-device.html
Y2  - 2024/06/01
ER  -