TY  - EJOUR
A1  - Hernández López, Gala
A1  - Papillon, Ariane
TI  - Capturing “the image that we will never see twice” - The becoming-cinema of live-streaming
T2  - Études digitales 2021 – 2, n° 12. La surveillance comme performance d’écran
JO  - Études digitales (ISSN 2497-1650), 12, 2021 – 2
DO  - 10.48611/isbn.978-2-406-16001-4.p.0149
SN  - 2497-1650
SP  - 149
EP  - 172
AB  - A media genealogy reveals a tension towards immediacy. This article focuses on the cinematographic reuse of audiovisual materials initially broadcast on live-streaming platforms. We will show how cinema reveal "the opacity of transparency'' and to what extent the logic of capture breaks the performance of surveillance and sousveillance of the real-time images while perpetuating a logic of shareveillance.
PY  - 2023
DA  - 2023/12/06
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - cinema, documentary, screencasting, capture, live-streaming, transparency, opacity, immediacy, sousveillance
LA  - fre
UR  - https://classiques-garnier.com/etudes-digitales-2021-2-n-12-la-surveillance-comme-performance-d-ecran-capturing-the-image-that-we-will-never-see-twice.html
Y2  - 2024/05/19
ER  -