TY  - EJOUR
A1  - Grandjouan, Kate
TI  - Le témoin virtuel dans La Carrière d’une prostituée (1732) - La médiatisation des crimes par l’image chez Hogarth
T2  - Écrans 2023 – 2, n° 20. William Hogarth et le cinéma
JO  - Écrans (ISSN 2491-2557), 20, 2023 – 2
DO  - 10.48611/isbn.978-2-406-16972-7.p.0039
SN  - 2491-2557
SP  - 39
EP  - 56
AB  - William Hogarth’s A Harlot’s Progress (1732) used real-life crime to create a six-part fictional story. The sophisticated techniques of visualization prompted the viewer to reflect and react experientially, like a “virtual witness” (Bender, 2012) at a crime scene reconstruction. This essay investigates the evidentiary value of Hogarth’s re-inscriptions, drawing attention to specific production techniques, criminal process and trial accounts. Understood as early visual criminology, Hogarth’s first serial offers an ascendant of modern crime film as relayed through TV serials like CSI and Court TV.
PY  - 2024
DA  - 2024/05/15
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - William Hogarth, surrogate observers, juries, crime scene, visual criminology, law and visual studies, Crime Scene Investigation (CSI), Court TV
LA  - eng
UR  - https://classiques-garnier.com/ecrans-2023-2-n-20-william-hogarth-et-le-cinema-le-temoin-virtuel-dans-la-carriere-d-une-prostituee-1732.html
Y2  - 2024/06/29
ER  -