TY  - EJOUR
A1  - Camporesi, Enrico
TI  - From Southwark Fair to Tom, Tom, the Piper’s Son - Cinema of origins and origins of cinema
T2  - Écrans 2023 – 2, n° 20. William Hogarth et le cinéma
JO  - Écrans (ISSN 2491-2557), 20, 2023 – 2
DO  - 10.48611/isbn.978-2-406-16972-7.p.0231
SN  - 2491-2557
SP  - 231
EP  - 244
AB  - In 1968, American artist Ken Jacobs obtained a 16mm print of Tom, Tom, the Piper’s Son, a film shot by G. W. Bitzer in 1905. Fascinated by this object, which borrows as primary visual source an engraving by William Hogarth (Southwark Fair, 1734), Jacobs minutely explored it by refilming the screen on which he projected it. The result is a critical work carried out with purely visual means, but also a puzzling cinematic experience that atomizes its own object of study.
PY  - 2024
DA  - 2024/05/15
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - experimental cinema, William Hogarth, Ken Jacobs, found footage, Gottfried Wilhelm (Billy) Bitzer, projection, analysis, distraction, fetish
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2023-2-n-20-william-hogarth-et-le-cinema-from-southwark-fair-to-tom-tom-the-piper-s-son.html
Y2  - 2024/07/11
ER  -