TY  - EJOUR
A1  - Esparon, Théo
TI  - Beauty, glamour and baroque in Josef von Sternberg’s The Devil Is a Woman (1935)
T2  - Écrans 2023 – 2, n° 20. William Hogarth et le cinéma
JO  - Écrans (ISSN 2491-2557), 20, 2023 – 2
DO  - 10.48611/isbn.978-2-406-16972-7.p.0159
SN  - 2491-2557
SP  - 159
EP  - 175
AB  - An analysis of Josef von Sternberg’s The Devil Is a Woman (1935) and the filmmaker’s writings in relation to William Hogarth’s Analysis of Beauty uncovers the convergences between cinema and 18th-century aesthetics. By meandering between texts and films, the “glamour” staged by Sternberg appears in keeping with Hogarth’s definition of beauty, as much in figuration as in the narration and montage.
PY  - 2024
DA  - 2024/05/15
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - beauty, Hollywood, clothing, figuration, narration, montage, aesthetics
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2023-2-n-20-william-hogarth-et-le-cinema-beauty-glamour-and-baroque-in-josef-von-sternberg-s-the-devil-is-a-woman-1935.html
Y2  - 2024/07/17
ER  -