TY  - EJOUR
A1  - Bédard, Philippe
TI  - Trajectories of Editing in the Digital Age
T2  - Écrans 2022 – 1, n° 17. Aux marges de ­l’idée de montage : pensées et pratiques
JO  - Écrans (ISSN 2491-2557), 17, 2022 – 1
DO  - 10.48611/isbn.978-2-406-14193-8.p.0227
SN  - 2491-2557
SP  - 227
EP  - 250
AB  - This article focuses on two forms of editing that are specific to the digital age, and which differ from those at work in traditional narrative cinema. Interactive films and multi-screen video installations allow us to rethink the linearity of film editing in favor of approaches that highlight other dimensions of the editing process. More specifically, an analysis of interactive films or installation works allows us to see, on the one hand, that the public now plays a more active role in the editing of a film and, on the other hand, that the concern for narrative coherence that is still found in several of these projects hinders the exploration of the possibilities of editing in the digital age.
PY  - 2022
DA  - 2022/10/19
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - digital art, expanded cinema, interactive works, montage theory, film aesthetics.
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2022-1-n-17-aux-marges-de-l-idee-de-montage-pensees-et-pratiques-trajectories-of-editing-in-the-digital-age.html
Y2  - 2024/05/20
ER  -