TY  - EJOUR
A1  - Besson, Rémy
TI  - The Emergence of the Role of the Editor of Shoah (1985) in the Public Space - 1973–2022
T2  - Écrans 2022 – 1, n° 17. Aux marges de ­l’idée de montage : pensées et pratiques
JO  - Écrans (ISSN 2491-2557), 17, 2022 – 1
DO  - 10.48611/isbn.978-2-406-14193-8.p.0079
SN  - 2491-2557
SP  - 79
EP  - 95
AB  - The film editor’s role and the importance of editing in the conception of Shoah (1985) remained almost absent from the discourses held in the public space for a period of thirty years (1985-2018). By crossing film genetics and discourse analyses, this paper examines the place occupied by this issue since 2018. To this end, it looks back at the making of C. Hébert’s documentary, Ziva Postec, the editor behind the film Shoah (2018), of which the author of these lines was the historical advisor and a protagonist.
PY  - 2022
DA  - 2022/10/19
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Ziva Postec, documentary filmmaking, Shoah, poetics of montage, film genetics, discourse analysis.
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2022-1-n-17-aux-marges-de-l-idee-de-montage-pensees-et-pratiques-the-emergence-of-the-role-of-the-editor-of-shoah-1985-in-the-public-space.html
Y2  - 2024/05/28
ER  -