TY  - EJOUR
A1  - Tore, Gian Maria
TI  - Extending the Field of Editing - A Study of the Problematic Form of Films
T2  - Écrans 2022 – 1, n° 17. Aux marges de ­l’idée de montage : pensées et pratiques
JO  - Écrans (ISSN 2491-2557), 17, 2022 – 1
DO  - 10.48611/isbn.978-2-406-14193-8.p.0161
SN  - 2491-2557
SP  - 161
EP  - 182
AB  - This paper consists in the proposition of a systematic extension of the domain of editing. On one hand, it puts forward some leads to link the local level (the film edited shot by shot) together with the global level (the film conceived as a whole). On the other hand, it presents the latter as a huge formal problem, which cannot be managed without studying editing with other dimensions: from frames to narration, until spectator’s whole interpretation activity demanded by the film. It is an analytic and synthetic approach, based on articulation and on comparison, in a semiotic and in a historic way – inspired by a certain formalist epistemology that put its mark on Art History. Finally, if editing is not a simple technique but a conceptual issue, it is a matter of taking terminology seriously. Thus, by means of some case studies, the paper discusses the difference between “scene” and “sequence”, “composition” and “montage”, “components” and “fragments”, “parts” and “details”…
PY  - 2022
DA  - 2022/10/19
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - film aesthetics, montage theory, semiotics, art history, philosophy of art.
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2022-1-n-17-aux-marges-de-l-idee-de-montage-pensees-et-pratiques-extending-the-field-of-editing.html
Y2  - 2024/05/20
ER  -