TY  - EJOUR
A1  - Thouvenel, Éric
TI  - Composing, Compressing - Intensive Forms of Editing in Avant-Garde and Experimental Cinema
T2  - Écrans 2022 – 1, n° 17. Aux marges de ­l’idée de montage : pensées et pratiques
JO  - Écrans (ISSN 2491-2557), 17, 2022 – 1
DO  - 10.48611/isbn.978-2-406-14193-8.p.0195
SN  - 2491-2557
SP  - 195
EP  - 214
AB  - This paper considers the posterity of certain forms of editing, primarily developed in the field of the cinematography of attractions, on avant-garde and experimental film practices. Alongside the extensive movement that characterizes film editing in the narrative-representative broader sense, some filmmakers have indeed considered editing as a tool meant to elaborate some film forms considered as fundamentally intensive. After pointing initially the esthetic issues of such practices, we will then approach in further details what could be an intensive experimental form of film, that of compression montage, which we will try to show the interest and fertility.
PY  - 2022
DA  - 2022/10/19
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - experimental cinema, non-narrative cinema, avant-garde, film aesthetics, film analysis.
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2022-1-n-17-aux-marges-de-l-idee-de-montage-pensees-et-pratiques-composing-compressing.html
Y2  - 2024/06/30
ER  -