TY  - EJOUR
A1  - Gaillard, David
TI  - Combining interactivity and transfictionality - Bandersnatch, an actable film
T2  - Écrans 2021 – 1, n° 15. Mémoire et réécritures dans les séries télévisées
JO  - Écrans (ISSN 2491-2557), 15, 2021 – 1
DO  - 10.48611/isbn.978-2-406-12259-3.p.0079
SN  - 2491-2557
SP  - 79
EP  - 96
AB  - Interactivity in Bandersnatch occurs through its narrative construction and not the technical limits of Marida Di Crosta’s “actable-film”. Actability is present via Bandersnatch’s maze-like narrative structure and seemingly-contradictory collaboration with the viewer, enabling him/her to bypass the choices underlying the interaction. The connection to the Black Mirror series creates numerous transfictional interactions that use the actable-film to integrate the viewer in the story.
PY  - 2021
DA  - 2021/11/17
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Bandersnatch, Black Mirror, interactivity, actablity, transfictionnality
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2021-1-n-15-memoire-et-reecritures-dans-les-series-televisees-combining-interactivity-and-transfictionality.html
Y2  - 2024/05/18
ER  -