TY  - EJOUR
A1  - Jaudon, Raphaël
TI  - The people as tableau vivant - Il Quarto Stato/Novecento
T2  - Écrans 2020 – 2, n° 14. Tableaux vivants – images en mouvement
JO  - Écrans (ISSN 2491-2557), 14, 2020 – 2
DO  - 10.15122/isbn.978-2-406-11509-0.p.0223
SN  - 2491-2557
SP  - 223
EP  - 241
AB  - This paper aims at analyzing the presence of Giuseppe Pellizza da Volpedo’s famous painting Il Quarto Stato (1901) in Bernardo Bertolucci’s Novecento (1976). I will show that the movie both retains the painting’s political energy and exceeds its pictorialness, by disseminating its gestures and figures over a long range of time. Finally, I will question the very notion of “tableau vivant”, and the way it resonates with the intention of bringing the people to “life” in both works.
PY  - 2021
DA  - 2021/04/28
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - tableau vivant, cinema, painting, politics, Bertolucci
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2020-2-n-14-tableaux-vivants-images-en-mouvement-the-people-as-tableau-vivant.html
Y2  - 2024/07/17
ER  -