TY  - EJOUR
A1  - Bédard, Philippe
TI  - The cameraless cinema - Rethinking how “cameras” are used in the virtual cinema era
T2  - Écrans 2020 – 1, n° 13. Techniques et machines de cinéma, objets, gestes, discours
JO  - Écrans (ISSN 2491-2557), 13, 2020 – 1
DO  - 10.15122/isbn.978-2-406-10932-7.p.0207
SN  - 2491-2557
SP  - 207
EP  - 223
AB  - Machines are “archives of gestures”, to quote Benoît Turquety. Studying how the camera has evolved is a way of analysing how its functions and the occupations associated with it have evolved. This article looks at the advent of “virtual cinema” by focusing on its core machine. By studying the “virtual camera”, we can catch a glimpse of the extent of the changes to come through the virtualization of film production.
PY  - 2020
DA  - 2020/11/10
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Virtual camera, virtual production, virtualization, digital cinema, film technologie
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2020-1-n-13-techniques-et-machines-de-cinema-objets-gestes-discours-the-cameraless-cinema.html
Y2  - 2024/05/24
ER  -