TY  - EJOUR
TI  - Paradoxes, ­conflicts and ­contrasts of technique The Bolex H16 and the Bolex 150
T2  - Écrans 2020 – 1, n° 13. Techniques et machines de cinéma, objets, gestes, discours
DO  - 10.15122/isbn.978-2-406-10932-7.p.0153
SN  - 2491-2557
AB  - The design of the Bolex H-16 film camera stands in stark contrast to that of the Bolex 150. According to the categories established by the Swiss company Paillard S.A. in 1931, the Bolex H-16 (produced commercially from 1935) was designed with the “technician-enthusiast” in mind, whereas the Bolex 150 (released in 1966) was targeted at the “average enthusiast.” How did this distinction influence the conception and design of these two cameras?
PY  - 2020
DA  - 2020/11/10
DP  - Classiques Garnier
PB  - Classiques Garnier
KW  - Cameras, amateur cinema, Bolex H 16, Bolex 150, Paillard, Richard Authier
Y2  - 2024/07/11
ER  -