TY  - EJOUR
A1  - Marignan, Marylin
TI  - A scream of horror - Sound as proof of the reality of the image
T2  - Écrans 2019 – 1, n° 11. Les objets sonnants au cinéma
JO  - Écrans (ISSN 2491-2557), 11, 2019 – 1
DO  - 10.15122/isbn.978-2-406-10499-5.p.0153
SN  - 2491-2557
SP  - 153
EP  - 166
AB  - In this article, the author studies and analyzes how, in Blow Out (1981), Brian de Palma moves the issue of voyeurism from the look to the listening in order to make sound the truth of sound image. First, for this, the film director put the public in a privileged listening position. Then, this film questions about the sound as proof of reality. Finally, he studies how the listening becomes an object of pleasure.
PY  - 2020
DA  - 2020/06/03
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Sound, listening, voyeurism, Blow Out, look
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2019-1-n-11-les-objets-sonnants-au-cinema-a-scream-of-horror.html
Y2  - 2024/05/19
ER  -