TY  - EJOUR
A1  - Barnier, Martin
TI  - From the noises of trains in cinemas in 1896 to Renoir’s La Bête humaine (1938)
T2  - Écrans 2019 – 1, n° 11. Les objets sonnants au cinéma
JO  - Écrans (ISSN 2491-2557), 11, 2019 – 1
DO  - 10.15122/isbn.978-2-406-10499-5.p.0081
SN  - 2491-2557
SP  - 81
EP  - 105
AB  - The author traces, in the history of cinema, from 1896 to 1938, the way in which the train as a “sounding object” is used. During the silent period, how are railway noises made (noise machines, musical instruments)? During the generalization of sound in film, the author sought the meaning of the different ways train sounds. Finally, the author analyses in detail the final sequence of Renoir’s La Bête humaine (1938).
PY  - 2020
DA  - 2020/06/03
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Sounds, sound effects, locomotive noises, Hale’s Tour, Jean Renoir, Jean Vigo, film music
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2019-1-n-11-les-objets-sonnants-au-cinema-from-the-noises-of-trains-in-cinemas-in-1896-to-renoir-s-la-bete-humaine-1938.html
Y2  - 2024/07/18
ER  -