TY  - EJOUR
TI  - “Choosing what is to be heard, at every moment, is writing” - Interview with Daniel Deshays
T2  - Écrans 2019 – 1, n° 11. Les objets sonnants au cinéma
JO  - Écrans (ISSN 2491-2557), 11, 2019 – 1
DO  - 10.15122/isbn.978-2-406-10499-5.p.0185
SN  - 2491-2557
SP  - 185
EP  - 205
AB  - This article is the result of a meeting with Daniel Deshays, who is at the origin of the notion of “sounding object” and shares here his dual experience as a sound director (for the stage and for cinema) and as an important theoretician.
PY  - 2020
DA  - 2020/06/03
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - sounds, Foley, sound effects, listening, sound object
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2019-1-n-11-les-objets-sonnants-au-cinema-choosing-what-is-to-be-heard-at-every-moment-is-writing.html
Y2  - 2024/07/17
ER  -