TY  - EJOUR
A1  - Fischer, Lucy
TI  - Faces and Masks - René Magritte, The Cinema, and the Human Countenance
T2  - Écrans 2017 – 2 et 2018 – 1, n° 8-9. Le cinéma ou la nouvelle expérience de l’art
JO  - Écrans (ISSN 2491-2557), 8-9, 2017 – 2 et 2018 – 1
DO  - 10.15122/isbn.978-2-406-09246-9.p.0059
SN  - 2491-2557
SP  - 59
EP  - 73
AB  - This article focuses on comparisons between the theoretical/aesthetic concerns of R. Magritte and those evinced in cinematic works. I focus on Magritte’s rendition of faces and masks in relation to the theme of Franju’s Eyes Without a Face (1960) and Judex (1963), and Ophuls’ Le Plaisir (1952). Magritte’s œuvre is privileged within modernism for its “resonances” in the history of cinema given his focus on such concepts as the frame, voyeurism, word vs. image, all highly relevant to film.
PY  - 2019
DA  - 2019/06/05
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Art, cinéma, esthetic, history, painting
LA  - eng
UR  - https://classiques-garnier.com/ecrans-2017-2-et-2018-1-n-8-9-le-cinema-ou-la-nouvelle-experience-de-l-art-faces-and-masks.html
Y2  - 2024/05/23
ER  -