TY  - EJOUR
A1  - Durafour, Jean-Michel
TI  - Cetology by Warburg and whale in motion - Iconology and genetic
T2  - Écrans 2017 – 2 et 2018 – 1, n° 8-9. Le cinéma ou la nouvelle expérience de l’art
JO  - Écrans (ISSN 2491-2557), 8-9, 2017 – 2 et 2018 – 1
DO  - 10.15122/isbn.978-2-406-09246-9.p.0175
SN  - 2491-2557
SP  - 175
EP  - 192
AB  - Based on what the author has called "econology" - a thinking of images as non-organic life forms having relations between themselves and their environment that are not limited to human accessibility – this article makes two arguments. First, there are links between the Warbugian iconology and the theoretical statements of new genetic biology. Second, it shows how cinema has renewed, through its Darwinism of metamorphoses, the program of an "epigenesis" of figures.
PY  - 2019
DA  - 2019/06/05
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
KW  - Art, biology, cinéma, Darwinism, evolutionism
LA  - fre
UR  - https://classiques-garnier.com/ecrans-2017-2-et-2018-1-n-8-9-le-cinema-ou-la-nouvelle-experience-de-l-art-cetology-by-warburg-and-whale-in-motion.html
Y2  - 2024/07/17
ER  -