TY  - EJOUR
A1  - Balsamo, Jean
TI  - Mentioning the painter: A “Commonplace” of the celebration of romantic - Tristan, “Bonard,” and French Renaissance poets
T2  - Cahiers Tristan L’Hermite 2021, n° XLIII. Tristan et la poésie du XVIe siècle
JO  - Cahiers Tristan L’Hermite (ISSN 2262-2004), 43, 2021
DO  - 10.48611/isbn.978-2-406-12345-3.p.0021
SN  - 2262-2004
SP  - 21
EP  - 34
AB  - “Le Talisman” evokes the portrait of the poet’s lady beloved painted by a certain Bonard. In addition to hypothesizing about the identification of the painter, this study examines the poetic “site” that Tristan offers an original variation on. It places the mention of the painter in a long tradition, initiated by Petrarch and illustrated in France by Ronsard and his followers from the 1580s, to highlight the resources it offered to romantic lyricism and poetic celebration.
PY  - 2021
DA  - 2021/11/17
DP  - Classiques Garnier
PB  - Classiques Reprint
CY  - Paris
KW  - poetry, painting, paragone, Petrarchism, topos, variation, beauty
LA  - fre
UR  - https://classiques-garnier.com/cahiers-tristan-l-hermite-2021-n-xliii-tristan-et-la-poesie-du-xvie-siecle-mentioning-the-painter-a-commonplace-of-the-celebration-of-romantic.html
Y2  - 2024/06/02
ER  -